This series of works comprises four photographs and is the artist's only series to date that is not self-staged. Her boyfriend serves as the model. Nevertheless, the artist endeavours to retain and further deepen the surreal element in these works. The photographs feature mannequins as a central component, which serve as a counterpoint to the depiction of a mass of male people. At the centre of the depiction is their boyfriend, which together with the title "Mr. Perfect" symbolises the choice of a man from a crowd of people. This depiction emphasises the indifference towards all others and stresses that the artist only has eyes for this one man, so to speak. The theme of infatuation and devotion is clearly manifested in her photographs.
